
This is the scene at Maezumi Roshi’s memorial site in the San Jacinto Mountains east of Los Angeles after recent wildfires and mudslides.
The stones still stand, but much work remains to restore and protect this hillside, which is in the canyon home of the the Yokoji-Zen Mountain Center. Volunteer crews defended the property from destruction by fire, but soon after, rains triggered floods that engulfed much of the property and destroyed its sustainable systems for water and power. It will be rebuilt.
This land is where Maezumi Roshi planted his greatest faith. He aspired to create a major training center—an incubator—for the seeds of Dharma in the west. But it was untamed acreage, and the conversion of rocky timberland into a peaceful dwelling took more time, work, and money than one lifetime could muster.
“Little by little,” he would say.
He brought in a geomancer to choose the most favorable locations for the Buddha hall and the zendo, and then he began to dig. The scale of labor taxed blood and tears out of his students at the time. They told stories of the endless excavations, the patience spent as Maezumi hauled and hoisted rocks into arrangements that were inexplicable to their tired eyes. Now, the work goes on.
Each rock had a face, Maezumi said. He lifted and turned each rock until it faced forward. Until you could see it straight on.
You can still see the rocks straight on. Although I no longer call this mountain my home, my practice still resides here with Maezumi. If you’d like to help out even a little with repairing the damage, please consider a gift to the Yokoji-Zen Mountain Center. It will go to immediate use, and we will all benefit from your selflessness.




Let it be well understood: once desire for the truth arises, the desire for fame and riches will disappear in a moment.
And he took bread, and gave thanks, and broke it, and gave unto them, saying, This is my body which is given for you: this do in remembrance of me. — Luke 22:19
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Magical Journey
When my daughter was little, she would squat for hours every afternoon on a pile of sand in the front yard. I planted little plastic animals underneath, and she’d dig them up with a shovel, handing them over to me with a satisfied grunt. She quarried the same zebra, the same tiger, the same frog, hippo, and horse out of that pile every day. While she wasn’t looking, I’d hide the toys under again. She’d keep at it, tireless. We sat there for what seemed like forever, unearthing purpose from the sodden heap of our new life together. She couldn’t know how much she was teaching me then, in her wordless way, about being satisfied with the same old thing, squashing my every day’s plan to get somewhere else.
I’ve trained a bluejay, out of my own delight, to perch like a cat outside my door.
It’s not hard to make your first movie. It’s not hard to make your second movie. What’s hard is to make your third movie. — Meryl Streep