“Too many notes.” — Emperor Joseph II’s criticism to Mozart
I’m not the virtuoso on the stage. I’m the emperor in the audience. Dumb, dull, and frankly, unimpressed by the racket.
When I write I call myself a diamond cutter. That sounds fancy until you realize that it’s usually just a hairy guy with a chisel. Perhaps I should call myself a sausage stuffer. Some days I’m more like an orange juicer. The point is, I have something in my hands, something we all have — blood, bones and guts — and my job is to turn it into something else. A gem. Or a healthy part of a balanced breakfast.
I start writing when I am sick of my story, sick of its sound, smell and taste. And so I cut it open, air it out, let it go, and then it turns into a larger story, one I hadn’t ever heard before, spilling across the page. It becomes everyone’s story, which we call the truth. And then it’s done.
I’m not even interested in other people’s stories, especially if by page 153 it’s obvious that they aren’t going to turn it into something else. These are the books I don’t finish. Nonfiction that makes itself sacred becomes a lie. Yes, I understand you are still very sad/angry/confused. Write back when you get work.
So imagine my surprise when I saw who’s visiting Butler University in Indianapolis on Feb. 15.
Zen memoirist Karen Maezen Miller
“Memoirs of a Zen Priest”
Talk and book signing
Wednesday, Feb. 15, 7 p.m.
The Efroymson Center for Creative Writing
Butler University, Indianapolis
Come anyway, come anyway! It’s free and open to the public. I’ll be talking about oranges, with sausages on the side.