I lapped up the Vanity Fair piece on Angelina Jolie a week or so ago on a beach read, aroused by all the things she tells us she would do and never do, all the kisses she would never tell, how she lives a life of such abundant self selection, the names, the nationalities, the dominions, the husbands and the other women’s husbands, the ideologies and armbands, the provocations, the missions, the flights, the media chase and the white-knuckle escapes that always trigger the chase. Malibu, France, Prague, New Orleans and bitty Smithville, Texas, the whole world falls in full occupation to the nannies and tutors, the Gulfstream refugees that camp and decamp, the multicultural staff, the Vietnamese nanny, and the sweet Congolese Belgian lady and the girl from the States who is so good at art programs, the bodyguarded birthday parties and black Mercedes Happy Meals, the appetites, the sex, the lips, the body art, the tease always the tease of radical normal, the normal so normal that it proves the high-priced architecture, the elaborate construction and reconstruction, the punch list and the circus foreman who keeps the colossus standing, and then she says something about where she draws the line on hired help, something that echoes back a whole week later to this morning, while I’m chopping fruit and feeding the dog in my stinky sweats and I hear her say,
“We don’t ever have anybody spend the night.”