faded letters

If you really want to change, live by someone’s last words. These are with me this week.

Be yourself, and take good care of your family. — Mom

I can’t wait until then. — Dad

It’s very beautiful over there. — Thomas Edison

Oh wow. Oh wow. Oh wow. — Steve Jobs

I am being shown the most amazing things. — Dominique de Menil

This is all an elaborate hoax. — Roger Ebert

Does nobody understand? — James Joyce

It’s all been very interesting. — Lady Montagu

You are wonderful. — Sir Arthur Conan Doyle

Don’t make a great commotion over nothing. — Zen master Tozan

Today you will be with me in paradise. — Jesus

Such secrets have been revealed to me that all I have written now appears as so much straw. — Thomas Aquinas

For all eternity, I love you. — President James Polk

Good night my darlings, I’ll see you tomorrow. — Noel Coward

a little light

Reading my friend Dan Barden’s  new book wasn’t altogether pleasant. It was a lot like trying to get around the borderless sprawl of Los Angeles. A contradiction, to say the least. Here you are, cruising under the blinding sunshine of an earthly paradise, and over there is a body under a blanket. Watch out for that sofa thrown onto the street. There’s a mattress in the middle of the freeway. The high-speed lane is stalled, and the off ramp is closed. Beautiful people drive by plumped up on collagen and hair extensions, and under the overpass is an invisible underclass. We must be in the wrong neighborhood. Let’s not get out of the car. I love it.

In the soft hills behind the beaches, everyone is hurting, and hurting each other, and trying to keep from hurting.

Barden wrote about that, in the form of a noir thriller, set in a place I know — Orange County — with people like us, people who have totally messed up and now are trying to do The Next Right Thing. You might think it’s strange for me to read a mystery, at least one with a lot of flying fists and f-words, but it’s no stranger than my real life. I love it.

 The Next Right Thing gives us a most unlikable kind of love. It ranges through the blight of addiction, anger, graft, betrayal and decomposing bodies in the basement, all to prove that the ugly underside is the incubator of goodness.

It’s thrilling, for real, and deeply wise, and I’m giving away a brand new copy. Leave a comment by this Friday to enter my giveaway. I’d love it.

Subscribe to my newsletter • Come to a retreat • Facebook me • Follow me.

the empty bento

Sometimes when something unexpected happens — which is nearly always — I think these kinds of thoughts:
Oh no!
How will that work out?
How will I fit that in?
How can I make that OK?
I don’t know how.

What about the rest of everything?
What about the plan?
Stop!
Not something else!
I can’t handle any more!
It’s all falling apart.

I feel as if I am holding a box where I’ve given everything a place, a turn, and a time. A box I can’t ever drop. I like to think I’m good at not dropping the box. But then I remember:

There is no box.

Subscribe to my newsletter • Come to a retreat • Facebook me • Follow me.

routine and ritual

String enough good days together, like a macaroni necklace, and you’ve made a priceless treasure out of what you already have on hand.

This is a transcript of a talk on parenting wisdom that I gave at the local library. We all live at such a distance from one other I thought I’d just put it all up here. It’s geared to parents of children under age three, but the lessons are forever. Please share.

——

Often we approach our job as parents like this:

“I don’t know what I’m doing!”
“I’m over my head!”
“I’m lost!”
“I’m ruining my kid.”

So we seek more information, come to workshops, and pick up new tips. We want to give our children a solid advantage and even a head start. There’s nothing wrong with that, but I take a different approach. I like to help you find the wisdom you already possess, help you find your own way, and help you feel more secure in your everyday life so that you can say:

“We made it through. We did OK. It was a good day.”

String enough good days together, like a macaroni necklace, and you’ve made a piece of art, a priceless treasure out of what you already have on hand.

They say that children don’t come with instructions, so I’m not going to give you any new instructions. I want to talk about two tools that you already have, but that you may not be using enough. read more

the gardener is patient

A letter received in a hand-addressed envelope in the mail:

Dear loyal customer,

I have been in the hospital since 3/5/2012 and will be undergoing surgery on Friday 3/9/2012. After surgery, I will be out of commission for 2-3 weeks due to recovery. I would like to continue to work for you in your garden after my recovery and hope you can be patient until then. I do apologize for this inconvenience.

Sincerely,

Mr. J.I.

This gentleman is close to 80 years old. Today, he swept away inconvenience and pruned my impatience. I will never take his work away from him. His work will never end.

Subscribe to my newsletter • Come to a retreat • Facebook me • Follow me.

the girl can write

About two years ago I read something on the web that I loved. I adore words, and I often admire other writing. But this was different than admiration. It was as if someone cracked open my ribcage and wrote the ache in my heart.

The piece by Joanna Brooks was called There is no Such Thing as Half, a courageous bit of outspokenness against the fractional religious classification of her children, born of a Mormon mom and Jewish dad. I read it and gushed blood, then immediately wrote a fan letter to Joanna. The similarities of our interfaith families, as all similarities, didn’t end there. It turns out she was a beloved professor to my next-door neighbor’s first-born. We both came of age on the suburban rim of the California orange groves. We shared the relative obscurity of all fledgling writers, figuring out how to woo readers, win publishers, and assemble the mythical “platform” that we’ve been told will yield access to the promised land of literary inclusion.

All I could offer her was encouragement. She went on and did everything by her pioneering self, becoming the go-to media girl for progressive Mormonism, a commentator at the frontier of politics, faith and feminism. Last month she published her memoir, and I recommend it to you here.

The Book of Mormon Girl is the story of deeply loving one’s faith, surviving its narrowness, renouncing its arrogance, and ultimately reclaiming the church. It is as smartly rendered as language can be, and it is beautifully, universally true. It gives me hope. Hope for our miscounted daughters, for our misunderstood grandmothers, and for the achingly faithful hearts, like mine, still beating and bleeding for peace, tolerance, and the seemingly lost cause of human respect. It gives me hope for our common lineage: love.

Comment on this post for a chance to win my copy of the book, to be drawn this Friday.

then you start crying

Last week I went to Indianapolis to meet people. I stood alone in an empty room, let it fill, looked into faces looking at mine, spoke and listened, each sound beginning from silence and returning to the same, let the room empty again, and then sat in a quivering aftershock, unable to understand what had just happened, even though it happens every time.

We might think that when we come together in a room and speak our names, extending a hand or a hug, that we are meeting each other. Two discrete beings at a meet and greet. But what we’re meeting is much more and different than that. It is not really two people meeting; it is minds meeting, and not as two minds, but as one. It is inexpressible, but unmistakable. Something happens, and then you might start crying. At that instant, you feel incredibly lucky. Rich, even. As if your own paltry life is suddenly revealed as a priceless treasure.

From time to time people ask me, usually from a distance, if I will be their teacher. I try not to answer that question, because it is irrelevant from a distance, and certainly meaningless over the Internet. I’m never sure what the questioner is asking for — a friend, a counselor, a correspondent, an advisor, a coach, an eye, an ear, a hand? Although I can supply a metaphoric approximation of that from a distance, that’s not what a teacher does.

The teacher and student enter a room that is not a metaphor. They stand on the same ground. What they communicate is words and not-words. You needn’t worry about how it works. To explain it is to confuse it. No one knows how it works, but it does. We always know who our teachers are: they are the ones in the room with us. It’s really not a matter of choosing or asking. What a relief.

To that end, I heard something as I was in the car yesterday driving home from the Zen Center. It was an episode of Radio Lab in which a teacher tells how she broke through the conceptual isolation of a 27-year-old deaf student who had never been given language. “Something happened,” she said, “and then he started crying.”

I did too. I hope you’ll listen past the point where you think you know what it means. That’s the place things happen.

 

sitting still and being quiet

My uncle was a star among us. As a 12-year-old, he had a calling from God, or at least a push from his parents. This was the only kind of call that counted in rural Central Texas at the time. It meant he would be educated, he would preach, and he would go places.

He went overseas as a missionary. Every three years he brought his American bride and his growing family back to the States for furlough. He toured churches where he towered in the pulpit, gave stirring guest sermons, and said grace over potlucks in his honor. Everyone looked up to him.

But he was not spared the fall we all take into human torment and doubt. At midlife, he broke up his family and left his post. During his time of exile, he visited my mother’s house. Grown, I came home to visit. I sat in the room while he told my mother everything. He needed to say everything, and she was a complete listener. There was nothing but love in the room.

During a lull, he looked over to me in the corner and asked, “Karen, how did you get to be so wise?” I was surprised, because I only knew what I saw. My elegant uncle, eyes glistening, heart breaking; a light undimmed, spilling onto earth.

“By sitting still and being quiet.”

Join me when you’re ready.

Beginner’s Mind One-Day Retreat
Sunday, Feb. 26 9 am-3 pm
Hazy Moon Zen Center, Los Angeles
Register by email here.

If you’re not sure that you’re ready to begin, watch this. Watch it anyway, and you’ve begun.

Ordinary Glories from katherine gill on Vimeo.

Subscribe to my newsletter • Come to a retreat • Facebook me • Follow me.

how to train a peanut

I’ve trained a bluejay, out of my own delight, to perch like a cat outside my door.

He doesn’t want me to sprout wings and fly. He can fly.

He doesn’t want a song and dance. He has a song.

He has a dance.

He wants a peanut. That, I can do.

For Jena Strong.

a memoirist’s lament

“Too many notes.” — Emperor Joseph II’s criticism to Mozart

Truth is, I don’t consider anything I’ve ever written to be a memoir. I don’t even think I tell stories. I un-tell stories. I unwind plots. I silence my narrator. I do this by listening.

I’m not the virtuoso on the stage. I’m the emperor in the audience. Dumb, dull, and frankly, unimpressed by the racket.

When I write I call myself a diamond cutter. That sounds fancy until you realize that it’s usually just a hairy guy with a chisel. Perhaps I should call myself a sausage stuffer. Some days I’m more like an orange juicer. The point is, I have something in my hands, something we all have — blood, bones and guts — and my job is to turn it into something else. A gem. Or a healthy part of a balanced breakfast.

I start writing when I am sick of my story, sick of its sound, smell and taste. And so I cut it open, air it out, let it go, and then it turns into a larger story, one I hadn’t ever heard before, spilling across the page. It becomes everyone’s story, which we call the truth. And then it’s done.

I’m not even interested in other people’s stories, especially if by page 153 it’s obvious that they aren’t going to turn it into something else. These are the books I don’t finish. Nonfiction that makes itself sacred becomes a lie. Yes, I understand you are still very sad/angry/confused. Write back when you get work.

So imagine my surprise when I saw who’s visiting Butler University in Indianapolis on Feb. 15.

Zen memoirist Karen Maezen Miller
“Memoirs of a Zen Priest”
Talk and book signing
Wednesday, Feb. 15, 7 p.m.
The Efroymson Center for Creative Writing
Butler University, Indianapolis

Come anyway, come anyway! It’s free and open to the public. I’ll be talking about oranges, with sausages on the side.

Subscribe to my newsletter • Come to a retreat • Facebook me • Follow me.

the gospel of toddlers & tiaras

On Wednesday evenings I’ve taken to watching TV with my daughter. It’s her one night off from gym practice and after she finishes homework, she likes to tune in to a controversial reality show called Toddlers & Tiaras. I grimaced through a few episodes of overbearing mothers parading their kids through grotesque beauty pageants until I came away with an enlightened view of the whole thing. Here is what I’ve learned:

Delusion begins with hair and makeup. The line between reality and psychosis is drawn with Maybelline Master Drama Brow and Eye Pencils.

There is no end to delusion. You can just keep piling it on.

There are no bad kids. There are just bad adults behaving like bad kids. And bad kids behaving like really, really bad adults.

The husbands are the sane ones. Just admitting this makes me crazy.

The room is empty except for you. The chairs are mostly vacant, the competition is entirely imaginary, and the judges wish they could disappear.

When you win, you lose. When they crown you a Queen, or Most Beautiful, or Best Talent, or Miss Congeniality, it means you didn’t win. In fact, it means you finished last. You don’t want those titles or sashes. Spit on them! You have to lose for a chance to win big, by coming back onstage later, when you really don’t win.

It’s all about you. “We keep doing this because she really loves it.” At the end of the show, when the kids are maniacal with hunger or exhaustion, tearing off the butt-ugly $1200 dresses that will take their parents two years to pay for, all the moms and dads say that. But it’s not true. You keep coming back because you don’t have a life! You’re sick, or bored, or you don’t want to make dinner, or fold laundry, or pay the bills, or face reality! You keep coming back for a chance to sit in a room with your own child, or at least I do! I’ll keep doing this because this show gives me a piercing view of my own shit while reminding me that if I’m not careful I could be a much worse parent than I am.

I’ll be back because this show is about me.

“Mom, do you see now why I watch this show?”

“Yes, I do, honey. I’m afraid I really do.”

Subscribe to my newsletter • Come to a retreat • Facebook me • Follow me.

the third movie

It’s not hard to make your first movie. It’s not hard to make your second movie. What’s hard is to make your third movie. — Meryl Streep

Meryl Streep says and does things I like. This was what she said about how hard it is to construct a career in the movies, but it applies to everything. It applies to love and commitment, family, work, physical and mental health, and everything else in your life. She means it’s hard to muster enough commitment to see things through. To keep going. To give up your expectation that anything worthwhile happens easily, without disappointment, or without trying really, really hard.

I repeat it here because of what I see so frequently repeated elsewhere about things not working out. By the time you’re approaching your third movie, you’re not new anymore. You’re not today’s darling, but you might yet become interesting. You might become resilient and resourceful, willing to make allowances. You’ll let yourself gain some weight, for instance, and do silly things with your hair. You’ll make a fool of yourself. You’ll take risks for your third movie, and every one after. Because when you do that for your third movie, you’ve realized there is only one movie. It’s called your life, and you don’t want it to end in bitterness and despair. The show has only just begun, and you love it. If you don’t love it, nobody will.

Subscribe to my newsletter • Come to a retreat • Facebook me • Follow me.

they grow up soon enough

We spent the day emptying drawers, sorting “keep” or “go,” hauling bags of trash and giveaways, swiping piles of dust. My husband and I have relented to buying my daughter a new bed, a bed entirely of her choosing, to match her self-image and sensibilities, a “teen” bed which will endure as the last blasted bed we buy her. It delivers tomorrow, and so today we cleaned out her room, meaning we cleaned out the most beloved 12 years of our lives. A day like this reminds me that all days are like this. I can’t say it any better than I did in Momma Zen:

“Form is emptiness,” Buddhism teaches. “And emptiness is form.” What could it possibly mean? It means this. It means I cried on the night of Georgia’s first birthday.

The bakery cake was ugly. She bawled in bewilderment at the crowd around the table. The presents didn’t interest her. She fled my arms to the cuddles of her babysitter. My shame was complete, but it was something else that brought me to tears. It was the finality. My baby was done with her first year. And despite my hurry, I was not. I had chosen this night to box up her baby clothes, refolding the tiny come-home things, sobbing at the poop and spit-up stains. They were already relics. How could it be over?

People will tell you so many things, passing on their hindsight and regrets. Love them when they are little. Cherish the early days. I would say it all again but I’m not sure you can hear it until you reach the other side, open your eyes and let the tears of recognition come. There is not one piece of life that you can grasp, contain or keep, not even the life you created and hold right now in your arms. I confess I never tried to slow it down, ever pushing forward to some imagined place of competence for me and independence for her. On this night, though, I could see how fast it all would go. How fast, how sad. Every happy day brimming with bittersweetness.

This is how it passes: no matter where we are we think of someplace else. The place before nighttime feedings, the place beyond twelve-a-day-diapers, the certain bliss that beckons from a distant shore.  This is how we spend our lives; this is how we spend their lives, motoring past milestones as if collecting so many merit badges.

We can be forgiven for this tendency, in part, because childhood is full of tests and measures, percentiles and comparisons. Bring your baby to the doctor’s office and they will plot her as a dot on a growth chart. I inscribed these glyphs dutifully on my calendar ­– how many pounds now, how many inches now – satisfied that we were safely on course to get somewhere. Where is that somewhere? Where is that place that I can relax the tension on the reins, ease off the accelerator?

Not one bit of life is a weight or a measure, a list or a date, a tick or a tock. It is never a result or an outcome. What it is, is a continual marvel, a wondrous flow without distance or gap, a perpetual stream in which we bob and float. We are buffered from nothing and yet never quite fully immersed because our thinking mind keeps eyeing the banks, gauging the current, scoping for landmarks and striving for some kind of perfect, elusive destination. There isn’t a destination. Life keeps going. It keeps going within us; when we’re not attentive, it keeps going without us. read more

archives by month