Zen is the freshest essence of mind, already gone by the time it becomes an idea. The Zen meaning of literature is impact, not ideology. ~ Thomas Cleary
I found this wonderful quote on the Facebook page of Dharma Field Zen Center in Minneapolis. I’ll be in Minneapolis and St. Paul May 16-18 for several talks and a daylong retreat launching my next book, Paradise in Plain Sight — go to their website now and sign up before you think twice.
There is one question that causes me a lot of trouble. It isn’t intended to upset me. Anyone who asks it is sincere. Other people can answer it with aplomb. It’s just that I can’t answer in the way you might expect. The question is: What are your books about?
I never know what to say, because the truth is something like this:
I don’t write books about anything. I just write what I see. I write my experience. I put myself on a page and let others wonder what it is about.
Of course, it is useful in all ways to have a book be “about” something. Books need to be categorized and coded. In the conventions of bookselling and library science, books are sorted into genres and genres are collected onto shelves (even virtual shelves) as an aid to the reader or researcher looking for a book “about” something. Most non-fiction books fit the bill: they are the product of the author’s effort to illuminate a certain area of expertise or a period of history, even if it’s their own history.
In the traditional way of selling books, which is still the only way books are sold, a category is printed on the jacket flap or back cover as the publisher’s suggestion for shelving. The distributor feared Momma Zen would be “lost” in the parenting aisle so suggested it be sold under Eastern Religions. Eastern Religions is the Outer Slobbovia of bookstores, a place only stray dogs and ideologues are likely to roam. Momma Zen was definitely not about Zen. As soon as librarians or store managers read Momma Zen, they knew it belonged in Parenting, which was the kind of impact I was aiming for all along: the impact of the obvious.
Zen is not about Zen.
When you write, don’t you formulate ideas? Don’t you think about it? Don’t you work out what you’re going to write before you write it, what you’re going to say before you say it? Uh, no. Can’t you tell? I have no idea what words will appear from my dancing fingertips. I have no idea where a book will take me. Nor do I formulate the beat of my heart or the shine of the sun. Formulation is an unnecessary vexation.
With a little bit of time and reflection, I can now say that Momma Zen is about a daughter becoming a mother, Hand Wash Cold is about a woman becoming a wife, and Paradise in Plain Sight is about a student becoming a teacher. But that’s only how I see it. What really matters is what you see.
I put my life on a page. And then, in that glorious instant when you see it fresh and unexpected, you might recognize it as your life too, the life of everything and everyone, freed from any notion of what it’s supposed to be about. A moment of realization is not about anything. It just is as it is, then it’s gone.
And that’s Zen.
In yesterday’s mail there was an envelope from my sister. Inside a drawer of old Christmas cards she’d found a note that I sent to my mom after Christmas 1993.
If you want time, give away your preoccupations.
I had begged my father to take me to the store. It was the day before Christmas, and I had nothing to give to my mother except an art project I had brought home from school, a picture made with painted macaroni. How embarrassing. Even in kindergarten I knew that it wasn’t a real gift. It wasn’t good enough. It wasn’t the kind of thing anyone wants or gets. Remembering it, I can feel the full extent of a five-year-old’s self-criticism and shame. Dad took me to a convenience store and I emptied my piggy bank for a set of plastic drink coasters.
Years ago when I was doing one of my first internet interviews the host said something that caught me off guard. She said, “Isn’t it hard for you to live in a place like that?”
