Letter from home

January 20th, 2008 - 9 Comments

Because these are the days when we watch for the oranges to ripen, and I can once again see them about to burst.

Home was once a funny word, since it was rarely the place that she lived.

She had been born in California, the granddaughter of a big-shouldered Illinois Irishman who’d come to the golden brink and ended up in all ways empty-handed. She was one of three little granddaughters, all loved so true that none doubted she was grandpa’s favorite, or that his house was where they belonged.

At home with mom and dad was a prickly kind of place, where the air sometimes froze and the ground swayed and the safest place to be was tucked out of sight. You could find her there, or you might forget to look.

At grandpa’s was different. It was a little patch of parched ground at the end of the road called the Road to Grandpa’s, an hour or so up the way from their starter house in LA and long after the littlest one in the backseat asked, “Are we still in California?” Grandpa’s was a tidy four-room box of a white and yellow handmade house in an orange grove ocean with a mountain in the distance, a mountain with a name they all knew, because grandpa always called it by name, Torrey Mountain, like he called everything by name, the names he gave if there were none, to pet pigeons and doves and chickens and the rooster and duck and dogs, sometimes cats, her grandmother, her sisters and her, the one he called My Little Irisher.

They would tumble out of the wagon on these, which must have been weekly trips when she was young, and her parents were achingly young and the cord that connected them all was noose tight but not yet torn. Tumble into the dusty earth and the endless rows of oranges which she knew stretched on forever at least until the highway way far away which was where grandpa’s two-acre spread played out.

First, yes there were the oranges, very special oranges which would be the very Sunkist oranges that you saw advertised on TV, which must be irrigated on rare and significant days known as Irrigation Days which were serious from beginning to end and produced the most luscious grade of mud which they were allowed to slog and squish through calf-high in the game known as Grand Central Station, these little raggedy girls having no earthly idea what a grand or a central or a station might otherwise be.

First there were the oranges. And then, and then.

Return to sender

January 18th, 2008 - 12 Comments

And so we come to the end of our series on writing, the day that we confront the rather convincing body of evidence that no one likes you, no one wants to read you, no one wants to publish you and you’ll never work in this town again.

No, no, no, no, no, no. A million times no.

First you start showing people your work. No.
Then you start sending queries. No.
Then you try an essay or article. No.
Then you start sending proposals or manuscripts. No.

Not at this time. Not a right fit. Not a good match. No.

I mean yes.

Because every one of these dead ends is a beginning. Seriously. This is not cotton candy rainbow fairy talk. Every time you hear no, every time the door slams, it swings back open just a crack and gives you a glimpse of where you should go. And it’s never that far away.

Sure, every time I went to the inbox or the mailbox and saw that SASE shoot me straight back through the heart, I fell hard. I fell face first. I laid there in the dirt. I rolled in it; I covered myself in it; I was filthy dirty low. Then eventually I’d get up and dust off.

“I’m giving up!” I’d tell my husband as I crept back to the desk, opened a file and started over. We tell ourselves that these blind, idiotic, insensitive, stupid editors and agents are blind, idiotic, insensitive and stupid. But they are usually right. It really isn’t the time, fit or match. You really haven’t finished. You really aren’t ready. You still have a little turn or two to make.

Rejections usually point you to the last place you want to go, dammit. To the place you’re afraid of exploring in your work, to the discipline and the form, to the point you’re afraid to make, to the authority you’re afraid to claim, to the resistance you so stubbornly clutch.

One day I really did give up. I stopped trying to sound like someone I wasn’t. I stopped hiding from who I really was. I stopped making stuff up! The very place you fear you are lacking is your source of hidden treasure. Go there.

If you’re afraid to start, start.
If you’re afraid to say it, say it.
If you’re afraid to cut it, cut it.
If you’re afraid to send it, send it.
If you’re afraid to try, try.
If you’re afraid to change it, change it.
If you’re afraid to let go, let go.
If you’re afraid to give up, give up. It won’t be the last of you!

No matter where it leads, trust your life completely and you’ll end up someplace new. In that spirit, I make a deep bow to the glorious eye, hand and heart of Denise, who just this week proved my point in multitude. Not only did she give this gift to her beautiful pregnant friend Stacie, they both gave the gift back to me. You see it here. And that’s how it always ends. I mean begins.

Photo Credit: Boho Photography

The daily dose

January 17th, 2008 - 8 Comments

Overdosed on all this talk about writing? Try reading something else. You won’t lose any time and you’ll end up in the same place only better.

We all know that good readers make good writers. You’ll be more limber, daring, confident and inspired by reading good writing.

A few days ago Kelli at the Zen of Motherhood gave me a Daily Dose award. Despite the family resemblance, she and I are very different, but we always see eye to eye. In the world of no coincidence, her gift was no coincidence. It inspired me to tell you this story.

One summer when my book proposal was stuck in reverse, I lost all drive. After a year of rejections, I wasn’t sure what I had to say anymore and why anyone like me should say it. I was no writer. I had nothing new to contribute. And so I set aside My Writing Failure and took up reading instead. I devoted the summer to reading women fiction writers to see what I could see. I wanted to hear their voices, and how they managed to find one. And when they found a voice how they managed to keep one. I picked one writer at a time and I read every title of theirs at my little public library. Thank heaven for little towns with little libraries. And what I saw was that these great, original, fearless women weren’t contributing anything new. Or at least the stories weren’t new. The point of view was new. They were contributing themselves, their lives, in work after work, as only they could. They were writing from experience, from memory, from sense and scenery so intimate and real that it could only have come from the landscape of their own lives.

I started with the immensely popular and readable Elizabeth Berg, who captures the words, thoughts, and whispers of modern women so transparently. I read Anne Tyler’s many stories of misfits and misfortunes on what seemed to be the same funky street in Baltimore. I read Alice Munro, the Canadian short storyist, capture the vast and humbling spaces of emotional distance. I read others, and then I quit going to the library for a while.

I had read myself back to writing again. And like the authors I’d read, I would write life as I saw it.

So I pass the Daily Dose award (non-pharmaceutical variety) on to Elizabeth, Anne, and Alice. To Willa and May. To Arundhati, Amy, Lisa, Margaret, Eudora and Jane. To Flannery, Tillie, Jhumpa and Louisa May. To Toni, Isabel, Charlotte, and Joyce Carol. To the really good book sitting under your coffee cup.

Lift your cup and fill yourself up with a premium brew. You can’t get enough of the good stuff.

Writing time

January 16th, 2008 - 9 Comments

“How did you find time to write a book when your daughter was little?” This is the question I’m asked most frequently. The answer is: I didn’t. First, I never found any time. Second, I didn’t think I was writing a book. And so third, the writing took me a very long while. If I’d had any expectations, I would have failed them all.

That sounds dismissive, but it contains truths that we have a terrible time seeing. The time is always now. There is no hidden time someplace else; no extra time we can uncover or clear. No way to push or pry it free. Time is never apart from us. Time is just us. Time management is self-management. Now, how do you manage yourself? I hope you’re kind, patient and forgiving, because how you manage yourself is how you manage to write.

Shawn, who is busy enough as a working writer but also busy enough as a mother of two-year-old twins, asks how I blend my life with blogging, writing-for-hire and writing for myself. I don’t have to do any blending. It blends itself. What appears before me is the thing that I take care of. It’s just not always what I wish it to be.

Although I write all kinds of things, I do not distinguish between them, just as Shawn does not distinguish between the love she feels for one daughter and the love she feels for another. I do not have a particular voice for one thing and a particular voice for another thing, I just have my voice. With practice, writers develop a virtuoso range. With practice, I glide through my range with relative ease. What I never do is contrive or falsify my voice. I practice writing anything and everything. The more I write the more I write, so I welcome any opportunity to write.

What I also try to avoid is judging one type of writing as more elevated than another, as in writing a Book. Or a Novel. Or an Article. Or just a Journal or a Blog. When I do that, in the very labeling, I set my writing apart from me and my life as it is. Besides, sometimes I lift the words from one place and I find they fit perfectly in another. It’s all one place.

Now, which one do I pick up and work on? The one that needs doing, according to the circumstance. To determine the need, I use circumstances as they are, not my preferences, which are by nature ego-driven and therefore highly suspect. If I have a deadline, I meet it. If someone calls or emails and asks, “When do you think you’ll have that done?” I finish it up. If it’s time to cook, clean, drive, play, shop, rake, I do that first. Not always happily, but always. To do otherwise, to set up my writing up as a priority output and my life as the obstacle, is to do what a friend observed recently as being “at war with me wherever I go.”

I don’t want to be at war with myself or my family or my home or my work; that’s why I don’t go for arbitrary, self-imposed deadlines or sign up for 30-day writing marathons. Yes, by all means, practice your writing, but don’t brutalize yourself. Don’t be hard on yourself unless you know that you need a kick in the ass. Pain comes from that kind of pressure and punishment – pain too easily spread. Few of us need more bruises. Let your writing be fluid and joyful, let it be spontaneous and useful, and then your life will be too. Or at least a little more bearable.

Practically speaking, there are times when I need to hire help or get away to write. But they are few, and only when the circumstances require. I went away for the weekend when I started writing what ended up as a book. I spent two days and wrote 1,200 words. I went away for the weekend when my manuscript was due. I spent two days and wrote 12,000 words. Four years came between them. The funny thing is, both times I thought that I was finished!

I understand a writer’s romance with writing. I understand a mother’s romance with a life beyond. When Georgia was little, I wanted desperately to break free into another life for myself – a life of merit, worth and recognition. I didn’t then and I haven’t yet. I still have troublesome ambition but what I no longer have is a troublesome baby. So where does the trouble come from?

There’s time now and time yet for writing. One day soon you’ll have more of it. In the meantime, write when you can, whatever you can. Don’t judge, don’t weigh, don’t measure. Write now, and let the outcome arrive on its own. It always does. Imagine your surprise when you find out it’s all yours.

Sprinkles on top

January 15th, 2008 - 8 Comments

To study words you must know the origin of words. – Dogen Zenji

I love words. I love it when people love my words. If I could eat and breathe words I would be happy. If I could make my living with words I would be ecstatic. Unfortunately, the business I’m in isn’t about the words, but about what’s underneath.

What exactly am I trying to say?

I’m so fond of my own language that the hardest part of writing is not starting or finishing. The hardest part is changing a measly word, particularly if it’s not my idea to do so. I’m attached at the tongue to my own cleverness. I mistake the notes for the melody, the brushstrokes for the painting, the rainbow sprinkles for the cupcake underneath. Ever taste just the sprinkles? Do and you’ll see that it’s not about them.

So what’s the point here?

A long time ago I got a fortune in a cookie that said, “Cleverness is serviceable for some things, but sufficient for nothing.” Left to my own cleverness, I can string together pearls like, well, a string of pearls. A very long string of pearls. With no clasp on either end, and no way for anyone to get any use out of it. But such a pretty string of pearls! Doesn’t that count?

You’re losing me.

When I’d first assembled 50 or so pages of early writing, not knowing a thing about publishing, I judged the writing to be so good, so obviously special, that I sent it to an agent. Not an agent I knew, but an agent whose name I’d overheard from a neighbor at my three-year-old’s swimming lesson. This agent was so kind to reply at all, even with a gentle refusal, to this mound of – what, sprinkles? – and give me my first awakening. It’s not about the words.

Are we getting any closer?

Of course we use the words, because it’s all we have to work with. Words are the only way we can approach the unsayable essence. But we don’t exactly write our way there; it is more like unwriting. We dive back into the mush of our muddled language to extract the pure shine. Every time we’re sent by critics and editors and unguarded husbands back to the keyboard it’s to find the source under our skin, the precise truth beneath our words that anyone and everyone recognizes. That’s the one that looks good enough to eat.

And tastes great too.

Not by the book

January 14th, 2008 - 12 Comments

You should look after water and grain with compassionate care, as though tending your own children without expecting any result or gain. – Dogen Zenji

Perhaps you have children. Remember when you were trying to conceive, and you thought it was only about getting pregnant? Or how about when you were pregnant, and it was only about having a baby? Then the baby was born and all your expectations were obliterated in the first week of terror and chaos. But I only wanted a baby, you might have inwardly wailed, as if you could straighten out a terribly mixed-up order. What you got was a life, a whole new wonderful awful horrible miserable magnificent life – yours– that you could never have imagined before.

We never quite arrive at the outcome that we have in mind, because nothing is quite what we think it is. It is so much more, and it keeps going!

Before too long we forget about the outcome and focus instead on tending the baby before us with compassionate care, and without expecting any result or gain. (I’m raising a daughter. We’re both happy I don’t think I’m raising a pianist.)

The book you’re thinking about? It’s not about the book. There might well be a book that surfaces some day, a couple hundred pages pressed between two cardboard ends, but writing a book isn’t about a book. The book is a word for your life, the vast, unknowable dynamic process of turns and trips and thumps, that transforms you as you go along, as you go along becoming more of yourself. Somewhere along this road, somewhere well after you begin and before you end, you might finally be born as a storyteller and a writer; you might arrive at an authentic voice, an enlivened heart. You might finally see, in the very light of your day and in the words on your screen, that you have something to say. And that only you could say it.

But if you think you know that before you start out, I will say with unwavering emphasis: You are wrong. It’s true that mechanistic and unartful things get written that way: by the book. And there are probably 99,000 mechanistic and unartful books published every year. But that’s not what you aim to write, do you? Leave that to the experts!

You stand before a stove with a soup pot and a spoon. What will you put in? Everything you’ve got. How will it taste? You’ll find out as you go along. How will you know what’s next? You’ll know it when you see it. How long will it take? Long past the time you get hungry but before you’re dead. How do I start? You already have.

If you happen to have read this far and you aren’t writing a book, know for a fact that you are. Everyone is writing a book. And the book is called your life. You are the writer and you are the reader, and – no flipping to the last page first! – you don’t know how it will end.

***

This week we’re talking about writing. Send me your questions, and we’ll turn them into something you can swallow.

Cooking the books

January 13th, 2008 - 11 Comments

An ancient master said, “When you boil rice, know that the water is your own life.” – Dogen Zenji

I like to cook. Not always, mind you. But I can honestly say I’m no longer afraid to cook; no longer preoccupied with how things will turn out. I don’t cook as sport or even as art. I cook just to cook, as a mysterious and fulfilling practicality. What most delights me about cooking is using what I already have on hand in ways I hadn’t planned. Kind of like a spontaneous symphony. Well, more like a whistle.

This wasn’t always true of me. I never learned to cook and I never had to cook. When I took up residency here, in this home as a whole woman and a wife, after accomplishing my life’s shallow ambition by the age of 35 and then falling splat on my ass, I began to cook. When my parents visited me here for the first time, my father came into the kitchen wide-eyed. “Artice,” he called to my mother. “You’ve got to see this. Karen made scrambled eggs.” He was just amazed, and so was I. Life is amazing! And breakfast is pretty miraculous too.

This week I’m going to write about writing. I just opened the cupboards and saw what I had on hand. Everywhere I turn, I see my friends talking about writing; they confess their aspirations and fears. Everywhere I turn, I see my own obstinate doubts and hindrances. I wasn’t always inclined to be so glib about writing. I stopped myself from blogging for a long time with the excuse that bloggers were “only writers” and therefore not my readers. Yes, I can be that way. I can be that mean and small and stingy and scared.

But now I feel a rush to get the word out so you have these encouragements and ingredients on hand. Please know that as I recite them I am nourishing myself. Here they all are, and I will take up each point separately in a longer post as circumstances allow.

Instructions to the Cook
1. Writing a book is not about the book.
2. It’s not even about the words.
3. The more you write the more you write.
4. Start writing but don’t stop reading.
5. Every no is a yes.

So this week, let’s read and let’s write. Send me your comments or questions, and we’ll scramble the eggs into something you can swallow.

Change with a capital G

January 10th, 2008 - 20 Comments

Did she win? Can we vote? Is it time?

We pause for this political message, which I hope is not political.

My daughter has always had an interest in the election process. She learned to read by sounding out the Kerry/Edwards bumper stickers in the preschool parking lot. She has accompanied us to the polls. Of course she’s aware of laws, and wars, and her parents’ occasional invocation of the former and abiding aversion for the latter. Her reaction sweetly mirrored our despair when she said in 2004, “Have we ever voted for anyone who won?”

This season I am not particularly attracted to any candidate and repelled by only a few. You can see how I’m teetering on the knife’s edge of an opinion. I am inspired, however, by my daughter, because she is purely, gleefully, hopelessly, and totally for the girl.

Perhaps this is the state of mind when you’re a girl in the state of 8. She and her friends are totally, unabashedly, fearlessly girls. And by that I don’t mean anything in particular, but that they are completely free and unafraid to love themselves. They love themselves and they love each other. They adore one another. They hug and kiss each other endlessly. They have not yet acquired any reason to withhold themselves, to judge themselves as too this or too that, to hide any part of their hearts or minds. Of course they notice the boys, they like them too, in silly ways that you can tell will soon be too much.

“The boys all love me but I only love Amy,” she said last year in first grade.

This year she has new crushes and allegiances, and one of them is Hillary. “Because she would be the first lady president!” she says while jumping up and down. In her unbiased and uninformed view I see something I no longer see in myself and hardly anywhere else.
I see a place that I fled, through pain, cynicism and calculation, many, many years ago. I see the place that my daughter herself may abandon as she feels the weight and strictures of the world we live in. I see the Girl’s Team, and I wonder if I shouldn’t glance back over with an open mind.

I don’t call myself a feminist. I try not to call myself anything. And believe it or not, to be a Buddhist is to work your whole life on getting rid of the -ist. And so I read with unexpected awe this eye-opening essay by Gloria Steinem earlier this week, “Women are Never Front-Runners.” Oh, I know what the arguments are, the feelings, the hunches, the dislikes, the gossip, the distaste. But when I see the brutal lash of cynicism, the extraordinary criticism, the arrogant, all-knowing, analytical, dismissive discounting of what and who this woman is, I flinch. I flinch because we are so much harder on her than the boys. Have I been this hard on myself, just for being a girl? Am I sending my daughter into this cruelty, where she will never again jump up and down for the girl?

In short, when my girl speaks, I listen because there is a message in it for me. There’s a message in everything that comes our way.

The other night I told my daughter that the girl might not even be a candidate for president, and I told her who it might be.

“Would he be the first African-American president?” she asked.

Yes.

“Cool!” she said, her eyes once again twinkling with the possibilities.

Stepping in it

January 9th, 2008 - 8 Comments

I just came back in from walking the dog, something I never wanted to spend a moment of my life doing. Now I do it daily. And the dog does it daily too. Not just the walking. The dooing. Dogs poop. Sometimes I step in it.

I’ve been stepping in dog doo lately. There we have it. As my teacher would say, it’s good practice. You step, you see, you scrape it off. You scrape it off enough and something more than shit starts to come off. You lose your revulsion, your upset, your attitude. You see it and you just take care of it, the stink on the bottom of your shoe. Mommies and daddies learn particularly well that some shit doesn’t even stink. That’s love.

I want to take a second to clarify something. I’m not writing about you. I’m not writing even for or at you. I’m writing to myself. Honest. These are my fingers flailing across the keyboard. These words are appearing before my eyes from I really don’t know where. Like every part of my life – the laundry, the dishes, the dog poop and the singular sensation of falling short again – it is my practice. It teaches me. My life teaches me things I’ve never seen before, and my words tell me truths I’ve never conceived. I don’t know you and never really can; my practice is to know myself.

The fact that these words might hit you where you sit is, well, magic. What you do with them is entirely up to you but I hope you scrape them off right quick.

In my Zen lineage we have a ceremony that concludes an intensive 30-day training period wherein the head trainee or priest gives a public talk for the first time on a particular teaching point. (I’m choosing my words carefully so as not to misrepresent.) As part of this ceremony, the trainee reads lines that monks have been saying in this ceremony for generations. One line is, “I hope there is enough water in the Pacific Ocean to wash my words from your ears.”

I like that saying. I repeat it often to myself. It reminds me not to conceptualize any experience, not to think myself into intellectual understanding, confusion, upset, anger, defensiveness and intractability. Just to scrape it off.

“I love you but you poop too much,” I might say to my dog. You should see the volume of poop in my otherwise pristine backyard. “I love you but,” I say, and then I hear myself and realize that’s not love.

One of these things is not like the other

January 8th, 2008 - 9 Comments

For my daughter’s second-grade homework:

The Big Ten
Pretend you are going to be taken by helicopter to a deserted island where you must live alone for seven days. You may take only 10 different things with you. Think before you begin writing. If you forget something important, you may not survive!

1. Nintendo DS
2. DS games
3. Food
4. Water
5. Clothes
6. Toothbrush
7. Toothpaste
8. Floss
9. Bathing suit
10. Sunscreen

As a matter of survival, may I point out that the floss is big number 8.

The falling down people

January 7th, 2008 - 14 Comments

Here we go again. The news has me sassy again. This article in the Times recounts the tremulous state of high-status professions from which people are fleeing. It turns out a troubling percentage of lawyers don’t really want to be lawyers. Even more doctors don’t want to be doctors. They are successful, but not successful enough. They are rich but not rich enough. They wanted status but aren’t satisfied with the paltry status in hand. They were reaching for the brass ring, and it turns out it’s only brass.

Maybe they need a relax scedule like the one I’m on. Oh, I’m sure they do, but that’s not the half of it.

The article makes out like dissatisfaction is a rarefied thing. If only it were. Can we ever get off this page? This I’m Not Happy with My Life page? No, we can’t. Because the whole of human drama is just this story. A story with one page. That is, until you turn it.

And so the headline writer calls these the “falling down” professions, meaning I suppose that this is urgent news because these folks are swan diving off the highest board in town. Imagine that! Someone reaches for a false and delusional form of gratification and finds out it’s not real! Honey, you’ve got to read this!

Just the headline had me thinking of a truly fascinating story I read last year in The New Yorker about geriatric medicine, or the lack thereof. (Be afraid, be really afraid. There’s not enough money in geriatric medicine to keep it going, and I for one, am getting older. You can tell how cranky that makes me.) Anyway, in this worthwhile and highly readable essay, the author observes an intake examination by a geriatric specialist. The doctor is examining a new patient, a woman in her 80s with high blood pressure, arthritis, glaucoma, back pain, and suspected lung cancer. All this and the doctor is really only interested in her feet.

“You must always examine the feet,” the doctor says. It turns out that when we live this long, the single most serious threat we face is falling. Because we won’t get up again. When we can no longer care for our feet – clean, trim and treat them – they become calloused and sore and we lose our balance more easily.

It all comes down to what it comes down to. At the foot of the matter. The foundation. The underlying truth.

What are we building our lives on? Greedy expectations? Lustful aspirations? Selfish hopes and egotism?

Or are we building it on love?

In the Times article, a doctor complains about the paperwork he has to complete to get new tires on a patient’s wheelchair. “I’m a doctor, not Mr. Goodwrench,” he says.

Excuse me, but yes you are. Whether you are a doctor or a lawyer, a mother, a writer, a nurse, a teacher, a rocket scientist or a bricklayer, each of us is nothing but a mechanic. All we have to work with is our hands, and any good we do is only done with love.

Go ahead. Fall down and fall down again. One day I hope you look up and see what’s real. Love is the only thing that stands.

What goes around

January 6th, 2008 - 11 Comments

I need help today, I say dully, after too many nights of too little sleep and a cough that won’t go away. The rains have descended and the allergies too and I’m feeling low and dim and all alone.

I’ll help you, she says, and she lugs two grocery sacks in from the trunk. She’s chosen the heavy ones with gallons and cans and her arms hurt, but she’s beaming.

I need to rest today, I pine, piling my woes on the kitchen counter.

I’ll make you a schedule, she says, and she bends over a pad then posts it on the refrigerator.

Relax Scedule

Sun 12:00 to 1:00
Mon 11:00 to 12:00
Tues 1:00 to 2:00
Wed 10:00 to 11:00
Thurs 9:00 to 10:00
Fri 10:00 to 11:00

Now I’ll set the timer, she says, and you go lie on your bed.

And if you need to schedule a makeup time, she adds in a stroke of management genius, write in on a piece of paper and give it to me before.

She’s thought of everything, you see, everything I need, and she gives it to me in the same way her needs have been tended and timed all these years into a sane and healthy rhythm. A time for this, a time for that. I take to my room and close the door. She turns the dial on the timer, and I feel it rushing back to me in a flood, all of it coming around again in terms never more certain, never more genuine, and right on schedule.

I am loved.

All my fish are little

January 4th, 2008 - 12 Comments

I thought you would have bigger fish to fry, she said, so as not to be a bother.

Ideas are big
Plans are monumental
But all my fish are little.

Ambitions are high
Visions are grandiose
But all my fish are little.

The future is vast
The past, well that’s a whole other story
But all my fish are little.

All my fish are little.
My feet step one at a time.
My hands each hold one palm.
My heart beats beats beats
A single beat
A subtle flutter.

All my fish are little.
Can’t be otherwise.
Never think differently.
Never hesitate
To say hello.

Because all my fish are little
But the ocean is so big.
And look
Here we are face to face.

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karen maezen miller

paradise in plain sight

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